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Browsing Category George

“Looking For My Life” and the Night George and Olivia Saved Each Other

February 17, 2013 · by solobeatles

Harrison started smoking in 1957 and quit in 1992, but in 1997 he developed a lump on his neck and in his lung. But after undergoing two operations for cancer and radiotherapy, he was doing well. By mid-1999, he had completed most of the demos for his new album Brainwashed, with son Dhani often playing with him.

Then a horrible assault contributed to the cancer’s return. In 1999, thirty-six-year-old Michael Abram kicked his heroin addiction, but ironically that made his schizophrenia worse. His mother tried to get him back on medication, but the bureaucracy of England’s National Board of Health kept putting her off. Abram went through an obsession with Oasis, then switched his focus to the Beatles. As he later told his lawyer, he became convinced they were “witches,” with Harrison in particular being “a witch on a broomstick, who talked in the Devil’s tongue—an alien from Hell.” Perhaps the song he was referring to was “My Sweet Lord,” in which Harrison midway switches from singing “Hallelujah” to singing Hare Krishna chants. Abram believed that Harrison was possessing him, and that it was Abram’s mission from God to kill him.

On December 30, a young female stalker broke into Harrison’s home in Maui and was arrested. The same night in England, Abram went to Harrison’s Friar Park.

The main gates had security cameras, but on other parts of the estate the fence was falling down. At 3:30 a.m., the sound of breaking glass woke Harrison and Olivia. From downstairs, Abram yelled for Harrison. Harrison went to investigate in his pajama bottoms while Olivia called the police. In a scene reminiscent of that year’s box office hit The Sixth Sense, Harrison came face to face with Abram holding a long kitchen knife. Trying to calm Abram and himself, Harrison chanted the Hare Krishna Mantra—probably the words that made Abram believe he was a witch in the first place. Abram attacked.

Harrison later recounted, “I thought I was dying. I vividly remember a deliberate thrust of a knife and I could feel the blood entering my mouth and hear my breath exhaling from the wound.”

Rolling Stones drummer Charlie Watts told the Observer, “I spoke to Ringo about a month after it happened and he told me exactly what went on, and it was horrific. George was stabbed about forty times. It happened outside his bedroom on the landing. He would have been dead if he’d been lying in bed, he wouldn’t have been able to fight. The papers did say that one wound punctured his lung, but a lot of the others were just as horrific. The man was slashing him everywhere. George’s wife hit him again and again on the head with this brass lamp, but he just wouldn’t stop. There was blood everywhere.”

First Olivia hit him with a fireplace poker, then smashed the antique lamp on the head. Olivia later told Katie Couric, “George was coaching me, I have to say. And George was very brave and people don’t know that. Because he had already been injured and he had to jump up and bring him down to stop him from attacking me. You know, he saved my life too.”

Katie Couric: “You saved each other’s lives.”

Olivia Harrison: “Yes, we did. And that was an interesting experience. Because, you know, not a lot of people get tested like that, thank God.”

The lamp knocked Abram out, ending the fifteen-minute assault. The police carried him away. Harrison’s condition was critical for a day, then he was back home. Harrison said to the press, “He wasn’t a burglar and he certainly wasn’t auditioning for the Traveling Wilburys.”

Tom Petty said, “When I heard about it, I sent George a fax, and it just said, ‘Aren’t you glad you married a Mexican girl?’ Olivia really kicked ass. She is a beautiful person.”

Abram was acquitted of attempted murder due to insanity. He was treated then released after nineteen months in 2002.

Harrison got aggressive about finishing the album, and began giving Dhani detailed notes on how he wanted the sound and the artwork. For a while he said he planned to call it The World Is Doomed. Abram had punctured Harrison’s lung, and the cancer returned there. In May 2001, he had an operation at the Mayo Clinic, but it was discovered the cancer had spread to his brain. Harrison went to Switzerland for treatment, continuing to work on the album at a studio there.

In “Looking For My Life,” Harrison sings that he never anticipated that life could explode at any moment, as he’d been enjoying an idyllic existence in his garden for years. When he sighs that we’ve no idea what he’s been through, it’s as if Lennon has survived his shooting and is singing about it. When Harrison asks the Lord to listen to him and help him find his faith again, you know he truly does have something to plead about, like Job.

Featuring just Harrison with his son, Dhani, and producer Jeff Lynne, Lynne steps back and lets the guitars speak for themselves, with just a few deft touches, like giving the chorus’ drums a timpani-like depth for an epic feel.

Ironically, the song was written before the knife attack, perhaps in response to his cancer diagnosis or earlier eras of substance abuse. Still, as he strums intensely with his son, it’s hard to think of anything but that night at the end of 1999 that saw him on the floor soaked in blood next to Abram, finally knocked out by Olivia’s brass lamp.

The Super Group of “That’s the Way God Planned It”: Keith, Eric, Ginger, Billy, and George

October 2, 2012 · by solobeatles

When George produced Billy Preston’s album “That’s the Way God Planned It” for Apple Records in 1969, he scraped together a pretty decent little band for the sessions: Keith Richards on bass, Eric Clapton on guitar, Cream’s Ginger Baker on drums, and of course Billy and himself.   Not to mention R&B divas Doris Troy and Madeline Bell on backing vocals.

Today’s Excerpt on Rolling Stone.com: George, “Wah Wah,” and “Run of the Mill”

August 17, 2012 · by solobeatles

Two classic songs in which George expressed his mixed emotions at the dissolution of the Beatles.  Click here for the story at Rolling Stone.com:

http://www.rollingstone.com/music/news/book-excerpt-george-harrison-realizes-its-time-to-move-on-from-the-beatles-20120817

Harrison Celebrates the Wild Years in “When We Was Fab”

August 9, 2012 · by solobeatles

In 1984, Michael Jackson wore a Sgt. Pepper–style jacket when he collected an honor at the White House from President Reagan for his efforts against drunk driving. The following year, Jackson’s arch rival Prince tried to emulate the psychedelic vibe of Sgt. Pepper with Around the World in a Day and the “Raspberry Beret” video. XTC released Pepper-esque records under the pseudonym the Dukes of Stratosphear. In LA, the Paisley Underground bands revived the ’60s sound, with the Bangles eventually rising to mainstream success.The Beatles’ spirit obviously still pervaded the mid-1980s, so as Harrison emerged from a five-year hiatus, he decided to see if he could score another Beatles nostalgia hit in the vein of his 1981 #2 single “All Those Years Ago.”

Harrison told Creem that the “Yer Blues” drum intro came first: “Before I wrote the song, or when I sat down to write it, I thought, ‘This one’s gonna start with Ringo going, “One, two, DUHtabumb, DUHtabumb.”’ That was the intro in my head; that was the tempo it was always going to be.”

Since producer Jeff Lynne’s goal for his previous band ELO had been to take up where “I Am the Walrus” left off, he did so here with a vengeance, piling on the cellos, timpani, “oooooohs,” backward tape loops, and “All You Need Is Love” horns. Eight years later, for “Free as a Bird,” he would again try to cram in as many Beatles touchtones as possible.

Legend has it that the term “Fab Four” was originated by Brian Epstein’s press officer, Tony Barrow, in an early press release. Throughout the song the backing vocals chant, “Fab!” as well as, “Gear,” old Liverpool slang for “cool.”

Harrison sings about arriving in the U.S. like strangers in the night, evoking the Sinatra ode to one-night stands that topped the chart in 1966, as well as Robert A. Heinlein’s sci-fi novel Stranger in a Strange Land, about a psychic human raised on Mars who returns to Earth as a messiah figure preaching free love and spirituality. To the Bible Belt, the Beatles were like the mutants from the 1963 sci-fi flick Children of the Damned, pied pipers come to lead their kids to rebellion with long hair and mind-altering drugs.

Harrison then remembers the group’s nemeses: taxes, cops and ultimately, “the bus” (death) that took Lennon away. In the middle eight, Harrison pauses to wistfully remember his lost friendship. He laments how the excessive media attention amplified the conflicts between the old group, but as the “Walrus” march resumes, life goes on and he sings snatches of songs by two of the Beatles’ biggest influences, Dylan and Smokey Robinson (“it’s all over now, baby blue” and “you really got a hold on me”).

In the video, Harrison stands in front of a brick wall strumming his guitar and singing. A van marked “Fab Gear” pulls up and Starr gets out to give Harrison a cello. A third hand comes out of Harrison’s jacket to play it and for a moment he flashes into his Sgt. Pepper suit (which he had recently reacquired). Soon the Walrus from Magical Mystery Tour is playing bass while Starr plays drums. (McCartney was asked to appear but was unavailable.) Harrison bounces an apple (their record label’s symbol) off Starr’s timpani. Lynne has a cameo playing a violin. In the end, Harrison levitates and sprouts eight arms waving like a Hindu god.

At one point, a passerby carries the Imagine album to represent Lennon. Other walk-ons include Elton John, Paul Simon, Derek Taylor, Jeff Lynne, Gary Wright, Harrison’s percussionist Ray Cooper, and Apple manager Neil Aspinall.

The song was released as a single in January 1988 with a cover updating Harrison’s image from Voormann’s Revolver cover. It was Harrison’s last top forty hit in the United States.

Blue Jay Way For Sale

March 25, 2012 · by solobeatles

The L.A. pad where George wrote the eerie Magical Mystery Tour track “Blue Jay Way” is available for $4.6 million.  (The address is 1567 Blue Jay Way, to be exact.)  Not too far from Elvis’ place in Bel Air where the group visited in ’65 (525 Perugia Way).  Or the house at 2850 Benedict Canyon Drive the band was staying in later that year, where Peter Fonda freaked them out by saying he knew what it was like to be dead (thus inspiring “She Said, She Said”).

http://blog.sfgate.com/ontheblock/2012/04/17/magic-and-mystery-of-former-george-harrisons-blue-jay-way-home/?tsp=1#4475-5

Ringo on His Last Visit with George

March 24, 2012 · by solobeatles

A clip from the Martin Scorsese documentary George Harrison: Living in the Material World.

The (almost) Saturday Night Live Reunion

March 11, 2012 · by solobeatles

In 1976, promoter Bill Sargent offered the Beatles $50 million for one reunion show. Then Sid Bernstein, the promoter of the Beatles’ Shea Stadium concerts Sid Bernstein, asked them to reunite for a benefit concert for Cambodian refugees, which he estimated would raise $230 million.

So on April 24, 1976, Saturday Night Live producer Lorne Michaels appeared on the live show to offer the Beatles $3,000.00 to reunite. “Divide [the money] up any way you want,” he said. “If you want to give less to Ringo, that’s up to you.”

Lennon told Playboy, “Paul and I were together watching that show. He was visiting us at our place in the Dakota. We were watching it and almost went down to the studio, just as a gag … He and Linda walked in, and he and I were just sitting there, watching the show, and we went, ‘Ha-ha, wouldn’t it be funny if we went down?’”

McCartney later recalled, “[John] said, ‘We should go down there. We should go down now and just do it.’ It was one of those moments where we said, ‘Let’s not and say we did.’ “[i]

Lennon said, “We nearly got into a cab, but we were actually too tired …”

The SNL night was the last time Lennon saw McCartney. “That was a period when Paul just kept turning up at our door with a guitar. I would let him in, but finally I said to him, ‘Please call before you come over. It’s not 1956 and turning up at the door isn’t the same anymore. You know, just give me a ring.’ He was upset by that, but I didn’t mean it badly. I just meant that I was taking care of a baby all day and some guy turns up at the door.”[ii]

In 2000, VH-1 made a good movie about the SNL evening called The Two of Us, written by long-time fan Mark Stanfield. The movie was primarily one long conversation between Lennon and McCartney over the course of the day as they hang out at the Dakota then wander around New York and return in time for the show. (Linda and Ono are not present.)

It was directed by Michael Lindsay-Hogg, who had done the Beatles film Let It Be. As he actually knew Lennon, he was able to help Jared Harris in probably the most convincing portrait of the prickly Lennon yet to appear on film. Aidan Quinn did well as Paul McCartney, and McCartney later told him that he liked the film. (A 2000 British TV movie called In His Life: The John Lennon Story starring Philip McQuillen also did a good job of showing all facets of his personality.)

Here’s a clip of the ending.  (As I got it off You Tube, it starts in the middle of the prior scene …)

Though they no longer hung out in person, the ex-partners still spoke on the phone about cats and babies, though their relations could be rocky. After one heated conversation, McCartney thought Lennon was affecting a “tough American” pose, so Macca snapped, “Fuck off, Kojak!” and slammed down the receiver.

One Beatle did make it to SNL in 1976, however – George Harrison, who did beautiful duets of “Here Comes the Sun” and “Homeward Bound” with Paul Simon.

Here’s an interesting fan clip from You Tube:

“This is how I think it would have sounded if they went forward that fateful moment.  I took John Lennon’s original track from 1975’s “Rock and Roll” album and Paul McCartney’s live performance from the 1991 “Unplugged” bootleg. I had to speed up Paul’s track to match John’s as he had performed it significantly slower.”


Notes

1. “And in the End …” Vh1.com 2000, http://www.vh1.com/artists/news/1436073/20000201/beatles.jhtml (10 Oct. 2011).

2. David Sheff, “January 1981 Playboy Interview,” John-Lennon.com, http://www.john-lennon.com/playboyinterviewwithjohnlennonandyokoono.htm (10 Oct. 2011).

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