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The website for the book Still the Greatest: The Essential Songs of the Beatles' Solo Careers

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Posts By solobeatles

George Lightens Up in “Crackerbox Palace” with the Help of Monty Python

October 8, 2014 · by solobeatles

The titular palace was the home of legendary comedian Lord Buckley. His manager Mr. Grief (name checked in the lyrics) showed Harrison around the grounds and inspired the track, which is on 1976’s Thirty-Three and 1/3rd. After the darkness of Harrison’s previous two albums, the song captures him trying to grow up by embracing love and laughter, helped by his burgeoning friendship with British comedy troupe Monty Python.

Python’s Eric Idle directed the song’s video on Harrison’s own eccentric estate Friar Park, with Hari doing his version of Lennon’s goonish smiles and hand gestures from the “Another Girl” segment of Help!

http://www.eyeneer.com/video/rock/george-harrison/crackerbox-palace

George hand gesture 00:25

http://www.jukebo.com/the-beatles/music-clip,another-girl,uvrms.html

John hand gestures 1:57

Peter Asher Produces One of Ringo’s Deepest Cuts: “Golden Blunders”

October 8, 2014 · by solobeatles

A song about troubled marriage and inescapable guilt by alternative power pop band The Posies, producer Peter Asher heard it while driving cross country and thought it would be a great song for Starr to cover on his album Time Takes Time (1992).

At first Starr didn’t like it, recalled Posies guitarist Ken Stringfellow to Ready Steady Go! in 1994. “But then Ringo saw the lyrics written somewhere and he thought ‘Aw, wow, it’s a deep song!’ I mean “Golden Blunders” is a Beatles pun and then a Beatle does it! And you’ve just gotta love Ringo’s drums, he does that “Ticket to Ride” kind of thing!”

Before Asher was a producer, he was of course half of the pop duo Peter and Gordon. And when Paul McCartney lived with the family of Jane Asher in the mid-’60s, Peter and Paul lived right down the hall from each other, which was why Lennon-McCartney wrote four singles for Asher and partner Gordon Waller, including this gem:

Ethan Hawke Makes Solo Beatles Compilation in BOYHOOD

October 8, 2014 · by solobeatles

Richard Linklater’s terrific film Boyhood has a great sequence where the father, Ethan Hawke, gives his son a mix of solo Beatles tracks. Buzzfeed printed Hawke’s playlist along with his heartfelt note about how coming to terms with the Beatles’ breakup echoed coming to terms with his own divorce. Thanks to Hawke and Linklater for reminding the world that the great Beatle music didn’t stop in 1970!

http://www.buzzfeed.com/ethanhawke/boyhood-the-black-album?bftw=main#3f36lx9

CREDIT: Matt Lankes for IFC Films

iTunes Releases Collection of Solo Beatles Tracks

October 8, 2014 · by solobeatles

For the first time, Apple and iTunes released a compilation of solo songs featuring cuts by all four Beatles last month. Perhaps they are running out of ways of repackaging the ’60s catalog and are testing the waters for a whole new era in (solo) Beatles collections, if all the estates can get on the same page regarding the licensing issues. Obviously, I think that would be fantastic, though personally I think they could have chosen stronger songs to make a splashier statement for this first effort. Still, it must be said that George’s “Let it Down” and Paul’s “Call Me Back Again” were pretty out-of-the-box choices, so you have to give them props for that. John’s “Love” is a near-standard, and Ringo’s “Walk With Me” is a reunion with Paul, so those are more obvious choices for what will hopefully become a new tradition. Here’s a recent article on the e.p.:

http://ultimateclassicrock.com/beatles-free-itunes/

John Paul George and Ringo

Did the Beatles Get the Idea for Their Rooftop Concert from the Jefferson Airplane?

October 8, 2014 · by solobeatles

On November 1 1968, French director Jean Luc Godard filmed the Airplane playing a set on the roof of Manhattan’s Shuyler Hotel. The shots of passer-bys looking up at the roof recall the climax of Let It Be, which captured the Beatles’ final live performance on the roof of Apple in London on January 30, 1969.

The Airplane are a little more, shall we say, uncouth, with Grace Slick howling, “New York, wake up, you fuckers! Free music! Make some! Free love!”

Earlier in 1968, Godard documented the Rolling Stones making Beggars Banquet in Sympathy for the Devil: One Plus One.

Here are some blogs about the Airplane’s rooftop jam and its similarity to the Beatles’:

http://www.openculture.com/2012/02/jefferson_airplane_wakes_up_new_york_jean-luc_godard_captures_it_1968.html

http://thisaintthesummeroflove.blogspot.com/2012/02/110168-jefferson-airplanes-short-free.html

 

 

 

I’ll Be On 2 Panels at the Fest For Beatles Fans in Los Angeles October 10-12

June 8, 2014 · by solobeatles

If you’re a Beatles fan in L.A. this weekend you can’t miss the Fest for Beatles Fans – it’s like Comic-con for Beatles maniacs!

On Saturday at 2 pm I’ll be talking about STILL THE GREATEST and solo Beatles music with Beatle experts/writers Tom Frangione, Jude Kessler, Steve Marinucci, Kit O’Toole, Wally Podrazik, and Robert Rodriguez.

And on Sunday at 6 pm Tom Frangione and I will look back at all the wild highlights of Ringo’s career both during and after the Beatles in a session promoting my new book WHERE’S RINGO?

I’ll also be part of the MEET THE AUTHORS event on Friday at 5:20.

Otherwise I will be at a table in the marketplace selling my books so stop by!

There are tons of special guests, including Denny Laine, Billy J. Kramer, and Peter Asher, and events going on all weekend. Not to mention an explosion of Beatle merchandise. The link to the schedule is below.

http://www.thefest.com/2014-fests/los-angeles-october-10-12-2014/

BREAKFAST WITH THE BEATLES’ Chris Carter will be broadcasting his show live Sunday morning from the Fest.

And I can’t wait to see Eddie Deezen introduce one of my favorite Beatles movies, I WANNA HOLD YOUR HAND, Saturday at 1 pm.

To see Eddie’s turn as “the greatest Beatles genius in the history of the universe!” check out this clip from Robert Zemeckis’ classic at 1:50 and 3:47.

I hope to see you!

LAX Airport Marriott Hotel

5855 West Century Boulevard

Los Angeles, CA 90045

(310) 641-5700

just two blocks from the Los Angeles airport

 

The Beatles Play for the Queen – My Latest Article in Slate.Com

November 9, 2013 · by solobeatles

When John Lennon informed manager Brian Epstein that he planned to tell the audience of the Queen’s Royal Variety Performance to “rattle their fuckin’ jewelry,” Epstein worried despite himself. He knew even John Lennon would not dare curse before royalty. But then again, there was always the possibility Lennon might somehow sabotage the entire Beatle operation.

Please click here to continue to the article, complete with videos …

http://www.slate.com/blogs/browbeat/2013/11/04/the_beatles_royal_variety_performance_when_john_lennon_told_the_queen_of.html

Where Do I Start With Paul McCartney? My Latest Article in Slate.Com

October 15, 2013 · by solobeatles

To mark the release of Paul McCartney’s new album NEW (out today), Slate.com asked me to come up with his Top 10 solo songs. Impossible to do but I gave it a shot … I’m sure everyone has a completely different list!

http://www.slate.com/blogs/browbeat/2013/10/15/paul_mccartney_best_solo_songs_after_the_beatles_where_to_start_video.html

George Discovers “Got My Mind Set On You” in 1963 – My Latest Article in Slate.Com

September 24, 2013 · by solobeatles

When the Beatles were given the rare luxury of time off in September 1963, John Lennon and his wife Cynthia went to Paris, Paul McCartney and Ringo Starr went to Greece, and George Harrison traveled to Benton, Ill., a coal-mining town of 9,500, to visit his older sister, Louise “Lou” Caldwell. The Beatles were still almost completely unknown in the United States, and Lou, who had moved to southern Illinois with her husband, a mining engineer, was keen to promote them to the Top 40 radio stations in the region.

Please click here to continue to the article, complete with videos …

http://www.slate.com/blogs/browbeat/2013/09/19/george_harrison_s_trip_to_benton_illinois_before_the_british_invasion_a.html

Lennon and Cheap Trick Get Primal on “I’m Losing You”

September 2, 2013 · by solobeatles

While on vacation in Bermuda during the summer of 1980, Lennon tried to call Yoko Ono but couldn’t get through to her and channeled his frustration into this bluesy rocker.  In the song, he worries that she’s shutting him out because she can’t forget all the bad things he did in the past. Lennon concedes he hurt her but counters that it was long ago and, exasperated, implores her to let go of the negative memories.

When Lennon began recording his next album, Double Fantasy, he chose Jack Douglas for his co-producer.  Douglas engineered Lennon’s Imagine album as well as Who’s Next, worked with Patti Smith, Blue Oyster Cult, and the New York Dolls, and produced three mid-seventies Aerosmith albums, including the seminal Toys in the Attic with “Sweet Emotion,” “Walk This Way,” and the overlooked “No More No More.” As Douglas had produced some of the heaviest rock of the ’70s, he was slightly restless with Lennon’s current middle-of-the-road approach and suggested Lennon try cutting “I’m Losing You” with another up-and-coming band he had produced, Cheap Trick.

When the power pop group made its debut in 1977, Cheap Trick was quickly tagged as the bridge between Beatles melodicism and punk energy with hits like “Surrender” and “I Want You to Want Me.” Guitarist Rick Neilson garnered further attention by always wearing a flipped-up ball cap and hamming it up onstage like one of the Bowery Boys. No less than Beatles producer George Martin was producing their latest album, so Lennon said bring them in. Neilson’s wife had just given birth, but she gave him permission to go to the studio with drummer Bun E. Carlos.

The track became Lennon’s most primitive and edgy since 1970’s Plastic Ono Album. Afterward, Lennon told Carlos he wished Neilson had been around when he did “Cold Turkey,” as Lennon felt Eric Clapton “choked” when he played guitar on that 1969 track.

But Lennon didn’t bring them back for any other songs, and their version didn’t end up on the album. The regular session guys listened to the Cheap Trick version in their headphones and laid down a less gritty version. Some Beatles scholars speculate it was because the cut would have sounded out of place amidst the rest of the glossy album. Others say Ono didn’t like Neilson and Carlos, Lennon thought it sounded too much like “Cold Turkey,” and/or Cheap Trick’s manager asked for too much money.  Another theory is that Lennon was angry when someone leaked news about the sessions to Rolling Stone — he was trying to keep everything secret because he was nervous he might not “have it” after five years of semi-retirement.

The track finally saw the light of day eighteen years later when it was released on the John Lennon Anthology.  Ironically, today the Cheap Trick version sounds more contemporary than the soft rock version Lennon went with.

Cheap Trick later covered “Cold Turkey,” “Day Tripper,” and “Magical Mystery Tour” and were the house band for the Sgt. Pepper fortieth anniversary concert at the Hollywood Bowl.

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